《光与影》绝美吕涅清凉Mod：这丰满身材真顶不住！
郭思绮亮相央视少儿《超级玩具店》，航天创意故事点燃少年科学梦
调查局机动组组长方国辉（刘德华）为人干练嫉恶如仇，与手下对周朝先（梁家辉）经营的电玩场进行监拍时，拿到其经营地下赌场的证据，将其告上法庭，岂料法官被收买，周朝先被判无罪当庭释放。与黑金挂勾的侯部长（李立群）暗中施压，调查局勒令方国辉休假，停止对周朝先的调查。 周朝先为进一步控制台湾的政治，在记者会上公开声明要退党参选立法委员，欲与代表党竞选的黑帮老大丁宗树对着干。方国辉沮丧之际，得电视台女记者凌飞（吴辰君）和法务部冯部长的鼓励重回工作岗位，却被丁宗树盯上，欲将他杀死后再嫁祸周朝先，好一石二鸟。
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当代诗歌的进与退
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《地狱潜者2》周活跃玩家数250万！新更新势头强劲
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.