特别报道｜春城杯来了！“吉超”还会远吗？
3A涨价太凶！外媒称50美元的2A将成未来主流！
淄博市高青县台李小学开展“以学为中心”课堂教学改革教研活动
医疗记者的朋友圈丨不晒风景晒 “战场”！每一条都关乎生死
《无主之地4》宣布参加BW！会有线下试玩么？
百年人寿人工智能建设之路：数智为基，智启未来
思明区：文旅融合焕新姿 中心城区人气高
数创大赛“AI童梦 粽情端午”：十分钟AI创作，竞享千元好礼
GI值成为健康饮食“新密码”
In his first film, Shane Atkinson goes back to a cinema that isn’t afraid of mixing genres, where noir and western coexist with the most corrosive of comedies and pulp detective stories. LaRoy, some sort of earthly fairy tale, centers around the life of Ray—he’s doing quite well with his small hardware store, and is married to Stacy-Lynn, the town’s beauty queen. But his dream present crumbles when his friend Skyp, a private investigator, reveals to him that his wife is having an affair. Devastated by the news, he decides to take his own life, but when he’s about to shoot himself, he is approached by a man who mistakes him for a hitman and offers him a considerable amount of cash for a job. A wildly intelligent narrative about pathetic characters that oscillates in the thin line between irony and empathy without the audience noticing.