50多年前的抗美援朝战场上，原籍山东新泰的刘绍安和江苏泰兴籍的张志久是两位亲密的战友，他们曾许下诺言：无论谁牺牲了，活着的一方就去赡养对方的父母。战斗中，张志久为掩护刘绍安不幸牺牲，刘绍安不违诺言，转
电影《飞行家》东京电影节首映获赞 影迷热议好评不断盛赞蒋奇明演技
夸克AI眼镜开售，88VIP叠加9折消费券，最低3329元
招商银行石家庄分行多措并举惠民生促发展
杭可科技成立电力制造新公司
324名小将挥拍逐梦
用考古人手中的笔 在数字时代唤醒“有温度的观察”
This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
重庆荣昌：水域实战练精兵
吉林银行与北京银行全面战略合作协议签约仪式在长春召开