青春华章丨江苏南京：160个日夜，拼搏是底色
“沂蒙热血·竞在琅琊”！“电竞鲁超”来了
《731》背后 是长影11年的坚守与担当
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
智能床垫争辩未止，aise宝褓已夺最高认证，行业洗牌在即
The life and career of acting teacher and co-founder/director of the American Place Theater, Wynn Ha
肋软骨隆鼻值得做吗？ 厦门美莱肋软骨隆鼻享福利补贴！
为“开门杀”定规，厘清各方责任
欢迎在线观看由 下元 史朗 早乙女 宏美 等主演的喜剧片《SM猎人》， 别名：S&M Hunter、Kinbaku SM 18-sai， 影视集合第
主播李呈祥偷税被追税、罚款等超402万，两家MCN也挨罚