因为遭遇到友情与爱情的背叛而心受重创的日本男子——早濑(渡部笃郎 饰)被日本的一家汽车公司派到上海分公司任职。郁郁寡欢的他结识了上海一对姐妹花。姐姐方敏（徐静蕾 饰）美丽大方，聪慧善良；妹妹方琳（董洁 饰）活泼可爱，青春洋气。姐姐方敏对这个忧郁的绅士产生了好感，同时妹妹方琳也爱上了这个来自异国的英俊男子，她向早濑热情示好，全然忽视与自己青梅竹马的阿德（陈柏霖 饰）的一片痴心真情。心如死水的早濑渐渐被善解人意、温柔善良的方敏所打动，同时拒绝了方琳。而方敏在知道自己身患绝症后，一次又一次地拒绝了早濑的示爱。但最终还是被这个深情的男子感动，两人紧紧相拥。方琳在得知姐姐与早濑的恋情之后，痛斥方敏，让方敏伤心欲绝。方敏的病渐渐恶化，得知真相的方琳向姐姐忏悔。有着深爱自己的男人陪在身旁，方敏露出安静的笑容，躺在爱人怀里静静地离开了人世。
三河市举办“庆双节 暖夕阳”学雷锋慰问演出
影片讲述朝鲜战争时期，八名韩国士兵秘密完成X-RAY情报计划和八尾岛作战计划，助推美国陆军上将麦克阿瑟指挥成功登陆仁川。
邮储银行聊城市分行积极开展资金流信用信息共享平台推广活动
制片人叶瀚中荣获第七届刺玫瑰微电影（微短剧）荣誉发布“十佳制片人”
《多语播峰会》齐鲁壹点多语种数字主播天团邀您关注青岛峰会
《存款保险条例》施行十周年主题活动之探寻非遗漆扇之美
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
JDG零封AL！TES第一、AL第二、JDG第三、BLG第四
国家安全部：保密没有“临时”一说