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贵州首届少年球类盛会开赛｜3000少年球场角逐书写体教融合新篇章

灰熊湖镇是一个地处偏远的宁静小镇，然而，一个变态杀手的出现打破了这里的平静。莱尼（珊妮·卡斯韦尔 Shanley Caswell 饰）是一个外表平庸作风古板的素食主义学生，个性别扭好强的她在学校里成为了大家排斥的对象。莱尼的好友艾恩（史宾塞·洛克 Spencer Locke 饰）是校内人气颇高的啦啦队队长，可惜的是，由于同时喜欢上了男生克莱普顿（乔什·哈切森 Josh Hutcherson 饰），两人的友情很快就以破裂告终。 一个女生的死亡使得包括艾恩和克莱普顿在内的八人被罚留校察看，除非他们找出凶手，否则不能步出学校一步。然而，根据一名神秘学生的回顾，往届留校察看的学生们都会被变态杀手所杀，与此同时，他们发现世界在十分钟内就要毁灭。为了保命，莱尼驾驶着时光机，穿越到一切的源头1992年，在那里，她能够成为拯救世界的英雄吗？

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聚焦第二十届中国吴桥国际杂技艺术节｜四川省遂宁市杂技团团长童荣华：让“技”与“美”完美融合

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.