中国移动咪咕多部作品闪耀“2025中国广电视听精品之夜”,斩获年度推荐殊荣
廊坊开发区公用事业管理局多举措做好秋冬交替期间环境提升工作
沂蒙精神代代相传:老中青三代同唱《沂蒙山小调》,焕发出新时代的朝气和光芒
聊城市东阿县举办2025年“智汇胶乡大讲堂”
八大处中西医结合医院郭健:溃疡性皮肤病疼痛难忍,中医有方
讲述体育创业故事 折射产业蓬勃生机 ——马孔多创始人艾国永携《创业三十六记》首发
上海国际车展即将拉开帷幕,保时捷公布上海车展参展阵容
10月9日福彩中奖号码
西班牙《欧洲侨声报》副总编黄美:期待探讨如何利用AI 实现华文媒体多元化发展
The lines start with “O Somma Luce” which is the title of the film and also the 67th line of the 33rd canto in “Paradiso” of Dante’s “Divine Comedy” to the end of “Paradiso”. The film is completed with music and lines instead of emotions and narrations. This is a recent attempt to combine film with literature. The film begins with a black screen and the music of Edgard Varese. The BGM is “Deserts” that was recorded in 1954. After some moments of darkness, the music ends and a middle-aged man sits on a hill, reciting something. He is Giorgio Passerone, an Italian literature professor, and he is reading out of the last part of ‘Paradiso’ of Dante’s Divine Comedy. Jean-Marie Straub expressed how he thinks of Dante through a subtle accent and dialect. The director who had encoded many great artists and musicians including Bach, complete the combination of Dante and Varese, which could seem strange. (Lim Kyung Yong)