插拔插拔×8×8海外

发布时间: 阅读量: 185
插拔插拔×8×8海外

“假面”总裁路岑阳,赵志伟饰,遇上“刺猬”千金步苒,卢洋洋饰,当猎人爱上猎物,恨意化作绕指柔,二人不曾想跌入了一场情缘之战…

德州市宁津县保店镇“三措并举”扎实开展防范非法集资宣传活动

从“强制镇静”到“神经修复”:2025十大氨基丁酸助眠产品专业测评

机器人救出废墟中的“婴儿” 上海外滩大会举办机器人职业技能表演赛

山东九羊集团携钢铁大模型亮相全省“人工智能+”创新应用工作会议

六安市霍邱县拟撤销两个渡口

【非遗里的吉林】“家国同庆 非遗焕新” 2025长春新民大街非遗市集即将启幕,邀您共鉴匠心华彩

马斯克正式进军餐饮业

中国科大新实验终结爱因斯坦与玻尔世纪之辩

This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time.                                                                    “The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez