小米汽车驾驶模式切换专利可提高加速效率
立功喜报频传 军属共享荣耀
《太乙仙魔录之灵飞纪》是一部原味仙侠题材的连载动画，而作为国内首部原创仙侠动漫，其第一季播出全网点击量截至目前已达3.5亿。《灵飞纪》主要以明朝历史为背景，并以玄幻角色设定为依托，来讲述明朝时期，修仙玄门“青城派”女弟子冷霜凝为破修仙桎梏而下山入世的故事。在冷霜凝解开自身宿命疑团的过程中，与微服私访的建文帝朱允炆相遇相知。适逢燕王谋逆、国难当头，两位主角生死与共，一同谱写了一曲动人心魄的传奇。 第二季的内容还是紧密承接上一季的剧情，但同时又有质的升级。《太乙仙魔录之灵飞纪》作为一部原创仙侠动漫，第一季里较多的涉及江湖庙堂，从江湖浩劫到皇室纷争，各路人马应接不暇。如果说第一季是落在一个“侠”字上，那第二季应该是逐渐落在一个“仙”字上的过程。可以说，第二季正式拉开了整个主角团修仙的帷幕，算得上是承上启下之作。 随着剧情的进一步展开，第二季的主角团之间的感情纠葛脉络也会愈加明晰。第一季是铺垫，埋下各个人物相见、相识、相交的契机。第二季则会不可避免的迎来一轮感情的喷发。
闻“汛”而动！京东养车启动暴雨紧急救援服务通道 5分钟极速响应
本剧改编自同名小说，讲述了察时和雄马在录制节目时，遇到了资产家被刺杀的事件，他们想亲自追凶但无果，现场无凶器且三嫌皆有不在场证明，因此无奈之下，只能请求时乃瞒天过海毁灭证据。随之，雄马想要和时乃真心交往且邀她合作，而时乃的初恋成新案嫌疑人，雄马嫉妒心爆发，展开了公私兼顾的调查...
李南恩（张天爱 饰）是出生于普通家庭的小镇姑娘，热爱传统文化的她在大学毕业之后选择前往法国深造建筑学，并且在阴差阳错之下进入了高级动物研究社。在这里，李南恩结识了名为周尔文（陈柏霖 饰）的男子，周
香港出租车夜晚拉客常常遇鬼，比如夜车司机林中发（古天乐饰）就差点载一女鬼（罗兰饰）前往荃湾，而同事“快车长”（雷宇杨饰）却遇见某女扮鬼诈骗，随后又载真女鬼前往和合石火葬场。嗜赌成性的林中发收工后被追债上门，为躲赌债不得已携妻子（李蕙敏饰）和儿子安仔搬入阴阳路上某廉价大屋，却发现房中闹鬼，吓得安仔夜夜哭泣不停。林中发向屋中鬼魂（吴毅将饰）赌咒发誓，若帮他畅通财路，便愿将自己所有一切分半同享。第二日，林中发发现屋中出现一组神秘数字，从此他所向披靡，逢赌必胜；但林中发没想到的是，屋中鬼魂要分的不仅是他的财富，还有他的妻子和儿子…… 本片是《阴阳路》系列的第五部作品。
延时摄影记录下海啸袭击日本港口的一小时
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
北海餐厅登顶高德全国TOP100，老板直言：真想不到小地方的小生意能上榜