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春日望美（川上伦子 配音）是一位非常平凡的女子高中生，某日，在放学回家的途中，望美听到了神秘的召唤声，从而来到了一个正在进行着源平之战的平行异世界之中。在这里，望美的身份是拥有神力万分尊贵的白龙神子，怨灵的存在导致了时空的扭曲，望美想要回到原来的世界只有一个方法，那就是不断的封印怨灵，提高自己的龙神之力。 外冷内热，总是在危急时刻挺身保护望美的源九郎（关智一 配音）、个性活泼主动，开朗乐观的西诺也（高桥直纯 配音）、博学多闻，举止稳重的武藏坊弁庆（宫田幸季 配音）、打扮华丽，举止轻浮，却对神子忠心耿耿的梶原景时（井上和彦 配音），在这些可靠的队友们的帮助下，望美能否成功回到自己的世界呢？

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A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.

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