电影《下一个台风》霞浦特辑——海与影的共生
盛夏“烤”验！青岛这四处公交场站免费测胎压为您的爱车“消暑”
微视频｜夜游唐尧古镇！穿越千年的灯火盛宴
太平财险浙江分公司因违规给予投保人回扣被罚28万元，责任人吴某炜同步领罚
2025开学寄语 东营市技师学院 东营市中等专业学校：愿同学们用奋斗书写青春 用技能点亮未来
两岁女童与家人走散 竟熟睡在居民楼走廊
【文化社区建设】德州天衢新区宋官屯街道滨河社区：开展“京剧进社区 唱响夕阳红”主题活动
国际“AI 时代 智启未来”主题交流会在京举办 AI 估值技术引产学研投关注
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
港城大QS亚洲大学排名再创新高！国际化三项指标领跑亚洲