黄山汽车测试路线跻身全球三大制动系统试验场
破产期间生活会受限吗？解答厦门个人破产保护条例
美白 + 祛斑，实测有效！2025 五大祛斑霜权威分析
汽车制造类专业指导委员会2025年中工作推进会暨汽车职业教育“前沿·前研·前言”学术会议在烟台汽车工程职业学院顺利召开
Fourteen-year-old Farha dreams of attending school in the city with her best friend Farida, but she knows that, as the daughter of the mukhtar (the head of the village, played by Ashraf Barhom), she is in for an uphill battle against tradition. Girls Farha’s age are expected to marry. It’s 1948, and British control over Palestine is coming to an end. What Farha and her father do not yet know is that forced displacements are already happening across the region. When Israeli bombs reach their village, Farha’s father locks her in the cellar of their home, promising to return as soon as he can. While Farha waits and watches through the cracks, the village she was so excited to leave is transformed to ruin, threatening an end to the future she had planned and leaving only trace memories in its wake. A dauntless and compelling feature debut by Jordanian filmmaker Darin J. Sallam, Farha captures both the isolating terrors of war and the lingering beauty that can colour recollections of dispossession — a mental record of the last laugh shared, the faint smell of freedom before the void of exile. An impressive lead performance from newcomer Karam Taher punctuates catastrophic loss with uncompromising determination. In this remarkable and devastating story, Sallam’s resonant directorial voice presents a penetrating perspective on the Nakba and returns the gaze to a cultural legacy in the midst of a global resurgence.
前海人寿江苏分公司第十届客服节举办“乐活老年・智护财富”老年客户专题活动
这段跨越时空的寻亲故事，见证中俄共同反法西斯的深厚情谊 世界观
中央军委决定调整组建3所军队院校
唐山海运职业学院建校5周年｜商海宽：从资深海员到海院教师，为海上安全筑牢“生命线”
以不正当手段获得这类许可，南京电研电力自动化股份有限公司被罚