运动饮料是夏日“补水神器”？专家：并非人人适合
“给年轻人提供安居创业机会”——福州租房新样本
埃斯顿酷卓第二代人形机器人商业化取得新突破
马克·安德烈·莱克莱尔独自攀登，远离聚光灯。这位23岁的自由主义者进行了历史上最大胆的单人攀登。没有摄像机，也没有失误的余地，莱克莱尔提供了一种单人冒险方式的精髓。
一名苦苦挣扎的单口喜剧演员被困在时空界限之外的神秘虚空中，他必须调查自己的身体为何会一动不动地倒在浴室地板上，并在为时已晚之前唤醒自己。
开展车辆隐患排查 确保市民温暖出行
中文筑桥 书香联心 东盟学子在遵义医科大学共叙“书香中国”
细节披露！菲方人员持刀威胁中方海警
ynopsis from Time Out Film Guide Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different' a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.
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