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American film critic Elvis Mitchell’s kaleidoscopic documentary creates a definitive narrative of the Black revolution in 1970s cinema, from genre films to social realism—a work of painstaking scholarship that’s also thoroughly entertaining, an essential archival document and testament to a period of American film history unlikely to be repeated.

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Emotionally vulnerable women are preyed on by a charming psychopath who wants to suck their tears.

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中国艺术研究院写意画院2024届结业作品展在京举办