18禁止色网站免费网站入口

印航空难首份调查报告：坠机前一刻发动机燃料供应被切断

中国游客在墨尔本被当地青少年无端殴打、袭击，总领馆：涉事人员将被移送司法程序，一餐厅经理参与救助

烟台—仁川直飞航线增至每日五班，易斯达航空重返市场促中韩互联

江苏南京：金陵挥杆，斯诺克球员触摸千年文脉

1948年的今天 生死冲锋 攻击外城

文旅部：推动文创产品开发和品牌授权

巴基斯坦防长笑了：将继续买中国装备

讲述贵州爱情故事，电影《如果悲伤可以解释》院线上映

A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.