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与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
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谢谢你，让我遇见了爱情，也谢谢你，让我遇见了更好的自己。在古老的罗马街头，平凡的黄曼曼（黄尧饰）意外遇见了与自己天差地别的偶像彭柏杨（刘迅饰）。本无交集的二人却在罗马上演了一场浪漫而又惊喜的恋爱之旅，
WEB动画《复活的骑士王》是怪物弹珠2018年新系列动画。焰莲回到曾经住过的街道·神之原，感受到了违和感，他确实应该在这条街道住过，却对那时的事情没有记忆。此时，莲的智能手机突然被安装了从没见过的游戏，其名为《怪物弹珠》。他带着从手机中飞向现实世界的怪物，在街道中展开了战斗！经过战斗，莲注意到了在自己体内沉睡的谜之记忆的正体，以及，怪物弹珠究竟是何物。与握有钥匙的水泽葵、影月明、若叶皆实一起，如今的莲正迈出通往谜团的一步，对于前方沉睡着无法想象的真相一事，仍然一无所知。
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