地狱火--美军AGM-114反坦克导弹
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
十三载公益路：杜彦用爱为困境儿童点亮希望
枪杀刑警片冈后，大友（北野武 饰）在韩国代理人张会长（金田时男 饰）的庇护下亡命济州岛。这个远离日本江湖的极道，却因某起事件和花菱会少壮派花田（皮埃尔泷 饰）起了冲突。此时花菱会由前任会长的女婿野村（大杉涟 饰）统领，作为若头的元老西野（西田敏行 饰）则根本不买这个外行老大的账。故而，怀恨在心的野村密谋借此次“济州岛事件”除去西野，并嫁祸张会长，谁知却很快演变成互相追杀彼此首脑的大战争。战争期间，没落的山王会图谋再起，而为给小弟报仇的大友也带着市川（大森南朋 饰）等人来到东京。秉承着仁义之心的大友，将为这个利欲熏心的黑道修罗场带来一场血腥风暴…… 本片为北野武“极恶非道”系列三部曲的最终章。
君里（徐宝麟 饰）虽然已经有了妻子裴琳，但还是和名为芬妮的女子开始了一段地下恋情。一天，两人正驾车约会，因为裴琳的不小心导致发生了车祸，撞到了司机小章所驾驶的车辆，虽然君里幸运的捡回了一条命，但是却就此失明成为盲人。 虽然君里眼睛看不见了，但心思却依然十分活络，和芬妮继续在暗中勾搭，而芬妮掀起君里失明，转而将勾引的目标放在了英俊帅气的小章身上。裴琳请来了名为小娟的佣人照顾君里，哪知道小娟和裴琳同时爱上了小章，在嫉妒的驱使之下，裴琳杀死了小娟，并且还想要害死自己的丈夫。
平凡宝妈逆袭成马拉松冠军：黄菲 14 天连夺三冠创奇迹
老年痴呆症康复训练：改善认知的实用方法
美国飞车党是一有组织的犯罪集团，FBI找来史东渗入飞车党卧底，史东很快博取有爪牙信任，为了搜取证据引诱南茜合作，希望能指证飞车党杀警越货的证据，不幸南茜事发身亡，史东也成为人质，州政府欲将爪牙处死，首
巴基斯坦称击落超25架印度无人机
剑星让粉狗doro火到了西方社区：亚洲网友激情科普