跟着央媒看沂南第（20）期：以“文化两创”激活红色旅游融合发展
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
整合5个高频事项 创业服务“一件事”家门口落地
沐曦股份中一签最多能赚近40万元 1.9万股民沸腾了 “一年都顶不上今天一天”
马迪亚斯（科林·伍德尔 Colin Woodell 饰）的女友阿玛雅（斯蒂芬妮·诺格拉斯 Stephanie Nogueras 饰）是一名聋哑人，为了能够和阿玛雅顺利的交流，马迪亚斯煞费苦心，然而两人之间的关系却还是每况愈下，这让马迪亚斯的内心有着隐隐的不安。 一天，马迪亚斯在一家咖啡店里捡到了一台笔记本电脑，鬼使神差之下，马迪亚斯将电脑带回了家，通过电脑里保存的用户名和密码，马迪亚斯登录了电脑主人的个人主页，发现这似乎是一个不学无术的花花公子。马迪亚斯通过这台电脑和好友莎伦娜（瑞贝卡·瑞滕豪斯 Rebecca Rittenhouse 饰）、达蒙（安德鲁斯·李斯 Andrew Lees 饰）、娜丽（贝蒂·加布里埃尔 Betty Gabriel 饰）等人联机视频，随着时间的推移，他们渐渐发现了隐藏在这台电脑里的可怕的秘密。
江苏规模最大，1400名软件工程师在宁“聚会”
15000座！比亚迪与小桔充电、新电途共建兆瓦闪充生态
《老头环黑夜君临》超帅新图公布！蓝龙大战三勇士
挪威奥斯陆一购物中心发生枪击致一人受伤
街でロイミュードがどんよりを起こして人々を襲った! 現場に急行したドライブだったが、そこにいたのはカラフルなロイミュードで、しかも5人組な上、自分たちのことを「忍者」だと名乗っている。明らかに言動が不審な赤い忍者を緊急逮捕した進ノ介は、取り調べを行う。 だが赤い忍者の言っていることは支離滅裂で、まったくいう事を聞かないため逆にペースを奪われてしまう。ベルトさんも、この世界には存在しえない忍者だという分析を下し、さらに謎は深まる。そんな時、街で再びどんよりが発生して―――。