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窦靖童状况外巡演厦门站圆满落幕 闽南语互动掀热潮
An up-and-coming video gamer faces his greatest challenge yet as he and his team must overcome a fiery gaming superstar, as well as their own battling egos, to win the ultimate video game championship.
SE《DQ》系列39年特卖!《勇者斗恶龙3RE》迎新史低
The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna. The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator, the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination. Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
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纪录片《廊桥筑梦》历时一年多拍摄,展示中国浙江泰顺三座古廊桥从冲毁到重修的纪录,把“桥”和“人”结合起来,力图以非遗传承人、文保干部、守桥人等真实人物故事为主线,讲述人们为廊桥修复艰苦奋斗、匠心传承、互助互爱的故事,见证百年廊桥的重生。不仅突显造桥的技艺传承,更是展现世世代代民间营造与保护廊桥的精神动力,凸显中国人的文化自信,凝结成一部珍贵的历史档案。